Showing posts with label Don't Drink The Bleach. Show all posts
Showing posts with label Don't Drink The Bleach. Show all posts

Monday, August 4, 2008

Sheep-shank : rope :: Tesseract : space-time

Let's tie a sheep-shank in Time. Yesterday was January 11th. All those other months since the last post are the outside loop that doesn't actually matter to the length anymore. Therefore, let's have no undue fussin'.

You'd think after all that time there'd be stuff to report. Unfortunately this is somehow not the case. If you don't believe me, I'll run through the list of projects and show you what's what.

  • An Orange For William is chief on my mind, since we just met about it yesterday. You know how usually after you write something and then let it sit for a week or two or twenty, when you pick it up again it seems pretty terrible? The complete OPPOSITE just happened here, and Orange has never looked more promising. We read through it in its entirety, did some (fairly minor) revisions and are in the process of rewriting 2 chapters. Alex is on the lookout for a publishing agent because in all seriousness, this could go places, but not if we self-publish. If only they made publishing agents with seriously fucked up senses of humor.

  • Don't Drink The Bleach is stuck. Maybe indefinitely, I don't know. For an unexplained reason I've had a number of people contact me only recently telling me they're super-excited about it, and that devotion from people who didn't even work on it, coupled with the fact that it's a finished film, resparked my personal desire to get it out there. Don't give up hope yet, we haven't forgotten about Bleach. Still, a poke and a prod in the form of an email or a comment telling us we suck at delivering our promises can't hurt our motivation. I've heard that death-threats are doubly effective.

  • Catchpenny Phoenix is being written. Or at least, that's what I hear. I have it on good authority that it is. So, that about covers it.

  • Unpublishable Productions hasn't been spoken about out loud in months. Honestly, that's the least of our concerns right now. So who knows.


Check back in another 7 months to find that nothing has really changed!

Wait! I mean check back soon to find some totally interesting new stuff written here. Probably not movie/book related, but still, totally interesting. Interesting and fu-u-un.

Friday, January 11, 2008

Keep ooon truckin'!

A Orange For William is our chief project at the moment. Catchpenny Phoenix is being written, and Bleach is fluttering about like a chicken, unable to fly away because of the big ol' injunction that was slapped on it (for the time being).

I'm drawing up a webcomic for Unpublishables to make sure there's an abundance of new content. It's not very attractive, because I'm not very artistic. Still, two of my favorite webcomics are Dinosaur Comics and xkcd, so I'm hoping that having a good storyline with good jokes will make up for the stick figures. They're surprisingly emotive little bastards. Amazing what you can do with mouths and eyebrows.

Part 1 of 3 of AO4W is written, and is in editing as we speak. Part 2 is coming along nicely. Our goal was to have the entire first draft finished by next Wednesday, but it doesn't look like that'll happen, so if we can get part 2 done by then that would be great. Part 3 is the shortest part anyway. It will be done SOON.

We're making sure of that. Last night Ian, Alex and I (as a trio we make up Unpublishable) very nearly died. The accident was narrowly avoided, so no one/anything was injured/damaged, but it left a damn cool set of skid marks on I-95 and put things into perspective. What if we'd died and left all these ideas unfinished? It was like that moment when Stephen King decided to finish the Dark Tower series after getting run over by a truck, only a) we were not on crack and b) we were not run over by a truck. Regardless, we're redoubling efforts on Orange.

Sunday, October 7, 2007

Flicker flicker, intermission is at an end

Lots of stuff happened this past weekend. Very little of it was Bleach-related, but you should still care. Believe me, you should care. I shall explain why...in a bit.

First off: Played Halo 3, at long, long last. Hot damn! An amazing ending (or IS IT?!) to a classic scifi series. And that's all I have to say about that.

Next: Saturday evening found us (Alex, Aneta and myself) once again in Barnes and Noble, about to embark on the adventure of a lifetime. Woohoo!

With Bleach in the wrapping-up stage, we've begun to move on to a new project. We're doing it correctly this time. Be afraid.

Bleach was a spur of the moment thing: conceived in June of this year, Alex and Aneta's twisted love-child of a film was entirely written, filmed, and edited in 4 months (June-September is 4 months. I learned that in school!). We filmed when the actors had days off from work. It did not have a script. It did not have a budget. It had a cast made of our closest high school friends. Fun, yes, and effective, but decidedly unprofessional. It's a film by high school students.

Our new film (yet untitled) is slated to be filmed in 2010. Aneta has two years to write/rewrite/rerewrite/perfect the script; filming will take three weeks (working all day, every day, for those 3 weeks); editing will go on through our senior year in college. It WILL have a script. It WILL have a budget of approximately $50,000 (more on this later- keep in mind that you're reading the producer's blog. Much bitching will undoubtedly occur). It will have a cast of paid actors (with actual acting experience!). The bottom line is that we're being very, very professional here. It's a film by college students, directed by a genuine film major.

Holy crap, it's gonna be big!

Of course, that means we actually have to do shit now.
  • I was given the title of producer in Bleach because I drove people around, bought lunch once, and was around a lot of the time. Now, I have to manage a budget (of a lot of money). I have to manage a goddamn production company to keep us from getting sued and losing all the money we don't, as college students, have. I have to come up with a way of getting us $50,000 to start with. So much for the Physics degree.

  • Aneta has to write a script. Bleach had no script; Aneta was given the title of writer because it was her twisted fantasies that gave way to Bleach's story. There's a big difference between telling someone your ideas and writing a whole script. Is this gonna work? Aneta says it won't be a problem, and Alex has faith, so I guess that's good enough for me.

  • Alex is filling in our gaps. A good film, apparently, has 4 people at the top: 2 creative ones, and 2 money-minded ones. Since Aneta and I are one each (take a stab at which ones), he has to be two drastically different people. I think the purchase of several hats is in order: a beret and a bowler hat. He could wear them one at a time, or perhaps both at once (assuming, of course, that the effects don't cancel each other out. If that is the case, a new beret-bowler hybrid may need to be created. I don't want to play God).


So back to my part as producer. Our estimated required budget is $50,000, split up roughly into:

NEW EQUIPMENT: $10,000 (The low-quality look worked well for Bleach, but it won't for this one)
CAST: $10,000 (according to Aneta, it'll be a big cast. I just wish I could instill the fear of god into her)
EDITING: $20,000 (since we're filming in digital, Alex assures me that much converting must be done to get it festival- and DVD release-ready. This could easily go up)
OTHER: $10,000 (such as food, festival entry fees, gas, location fees, costumes, makeup, etc.)

Our supposed plan of gaining this money:
Profits from Bleach: $100
Donations: The rest of it

I spy, with my eye, something that is ENTIRELY IMPLAUSIBLE!

We have a few alternative, if not entirely dependable, methods to reduce the amount of donations needed.
  1. Grants: Alex is a film major, and colleges love giving kids money to make themsleves look good. Hope?

  2. Book: Alex and I came up with a FANTASTIC idea for an easy-to-write book that only we could possibly ever write. It has a great amount of appeal, so we're optimistic about raising a few hundred by selling it online. This project will serve the dual purpose of making us money and keeping us busy while we wait for Aneta to do her thang. I'll be talking about this later, I know it. (Here's a little something for the present: our title is "An Orange for William". It will be the stuff of legends)

  3. Various illegal activities: proposed fundraisers have included muggings, burglary, bank robberies, and illegally collecting on property insurance. This is perhaps the most reliable source of income.


That's everything for now. Will post more as these budding projects take a little more shape.

Friday, September 21, 2007

This is why we're hot.

Words from the Yan man. Read, enjoy, and keep in mind: those numbers there? They don't really exist. Doesn't that just blow your mind?

ANECDOTES FROM THE PRODUCTION OF
“DON’T DRINK THE BLEACH”

Chris Caporaso, our erstwhile web administrator, has asked me to write something for the Bleach website, so all of you fine people can get a glimpse into my sleep-deprived mind. However, instead of tackling the assigned topic (the wonder that is Aneta Klusak), I’ve decided instead to list a few of my favorite anecdotes from the production of this “film”. Don’t worry, the orgy of gratification that is the “Aneta Tribute Essay” will be coming eventually (maybe), but due to the fact that I’m hours away from locking the final cut of this movie (more or less), I only have time for these brief anecdotes. Enjoy, with my compliments.

-AY

  1. One day, production was halted for three hours and forty-five minutes as Aneta desperately tried to solve a puzzle where you have to place a golf ball on a tee enclosed in a snowglobe (don’t ask). This was the first time I contemplated firing her, only to realize that this film would be dead in the water without her. (A human being can live with one kidney, but this movie could not live with just one half of the creative team. Still, that day was a pain in the ass.)

  2. Another day, production was halted for an hour while Aneta did a spontaneous rewrite and I played the song “Umbrella” by Rihanna over and over again off of Nick’s laptop in an attempt to find the underlying sexual subtext. (I found it, by the way. That song is dirty.)

  3. One day I chastised Ian for going to the bathroom during his break. So, on the first shot back, he kicked the tripod.

  4. Note: I called Aneta fat approximately 1000 times during the course of this shoot. Nobody verbally agreed with me, but I knew they were all thinking it.

  5. During one shoot, Joe Pisani and Mike Diana got the brilliant idea of dangling Nick Mastracchio off of a second-story balcony for a scene. We decided against it, but they did it regardless. Nick was angry, but calmed down eventually. We ended up cutting the scene anyways.

  6. I threw a total of about 35 bitch-fits during the shooting/editing of this movie. I’m sorry for most of them; they were all undeserved. This isn’t really an anecdote, but dammit, I love my cast, and it’s about time they knew that.

  7. While stopped at a gas station to buy batteries, I was verbally assaulted by a pair of rednecks who were fascinated with the furry wind-screen I had placed over the shotgun mike. “Is that a fuzzy thing?” One of them asked. I said that it was, being careful not to make eye contact. The other redneck heard this and promptly flipped out. “It might be a weapon! Put DOWN the weapon!” Dumbasses.

  8. Mike Diana has an unbroken one-take record. However, the fact that he had no lines may have had something to do with this.

Wednesday, September 19, 2007

DAMMIT

Here it is, the promised post, mere hours after the original, and even this several hours after actually receiving the stuff. Let it be known throughout the land that Alex sent me his FAQ (which will go on bleachfilm.com tomorrow afternoon, since I'm tired as hell), while Aneta has yet to send me the promotion pics (EDIT: I feel bad now, apparently Aneta's computer was KIA). Ha, only kidding, there's obviously a reason (despite the fact that you have no classes yet =P), so I ain't judging (especially since my cast essay should've been done weeks ago); I'm not trying to be an ass, I swear. Anyway, this here document is what you really wanted anyway, right? Brain-food, not eye-candy?

...DAMMIT!

Anyway, here, have some facts. Enjoy.

THE TOP TEN MOST FREQUENTLY ASKED QUESTIONS OF ALEX YAN ABOUT “DON’T DRINK THE BLEACH”

1. THE AGE OF THE ACTORS YOU USED HAS BEEN THE SOURCE OF SOME CONTROVERSY. HOW HAS THIS AFFECTED YOUR WORK ON THE MOVIE?
Well, it’s pretty obvious that this film was made by a bunch of angry teenagers, and with angry teenagers comes the societal belief that teenagers shouldn’t be involved in anything dangerous or explicit. While this is true to an extent, people don’t seem to understand that this movie only simulates dangerous/explicit situations, and posed no threat at all to the safety of the actors. Still, whenever you have a movie with uncomfortable situations involving teenagers, people will always have problems with you.

2. DO YOU HAVE ANY FEARS PENDING THIS FILM'S RELEASE?
It’s a major fear of mine that some people will try to stop me from releasing it. Due to the somewhat graphic nature of the film (or at least the perceived graphic nature), we’ve had some issues with release forms as well as numerous debates over what footage I can and cannot use. I’m not talking about any issues with the actors, however; they were all very understanding. Some other people, however, have gotten themselves involved and are posing some troubling questions. While I think the movie is telling an important story, some people in the production can’t seem to look past the surface.

3. I'VE HEARD RUMORS THAT ACTUAL DRUGS WERE USED BY THE CAST DURING THE SCENES WHERE MARIJUANA AND HEROIN ARE TAKEN BY THE MAIN CHARACTERS. IS THERE ANY TRUTH TO THIS?
I love these rumors. Of course they’re untrue! Where would I get heroin? Again, this goes back to the concerns over the age of the actors. These rumors are sensationalist, and possess little substance or basis in fact.

4. WHAT ABOUT SEXUAL EXPLICITNESS? HOW FAR HAVE YOU PUSHED IT DUE TO THE UNDERAGE ACTRESSES?
There has been a lot of talk over this as well, and it is important that we all be objective and mature about this content. While I personally think the sexual explicitness is rather tame by today’s standards, the age issue has again come into question. However, while a lot of footage was shot, only the takes that were legally usable appear in the film.

5. IF THE MPAA WERE TO RATE THIS FILM, WHAT WOULD THEY RATE IT AND WHY?
I have neither the respect nor the money to have this film rated by the MPAA, but if they were to evaluate it, I’m sure it would obtain at least an R-Rating, due to the smoking, profanity, violence, sexuality and disturbing content. However, it is my intention, at least for the moment, to keep this film unrated, with a noticeable warning to inform any sensitive viewers of the content.

6. JUST WHAT IS IT THAT MAKES THIS MOVIE THE HEAD-TRIP YOU CLAIM IT TO BE?
Well, head-trip may be the wrong word, but watching this movie will definitely be a strange experience. The story line includes, among other things, a rape, an abortion, the dismembering of a person’s tongue with a pair of scissors, multiple occasions of drug use, a montage of various sexual encounters, and a profanity-laden rant delivered by a would-be religious activist. You know. The usual stuff.

7. YOU'VE CLAIMED THERE'S BEEN AN ISSUE OF CREDIT ON THIS FILM. WHAT DID YOU MEAN BY THAT?
Well, I’ve been credited as the director due to my handling of the technical aspect, but Aneta Klusak, the writer and lead actress, was heavily involved with the production as well. In fact, it was about a fifty-fifty effort between the two of us, so much so that you never see just one of our names in the credits at any time; we are always credited together. Even though there was a definite division of labor (she handled the creative aspect while I handled the technical), it really was a mutual effort, and we hope that people will understand that.

8. WHAT IS IT YOU FEEL SETS BLEACH APART FROM OTHER INDIE FILMS MAKING THE FESTIVAL TOUR?
Well, the age of the creators, for one. As I’ve said, almost no one involved in the production of this film was over the age of nineteen. However, I hope this doesn’t hurt us by denoting a sense of non-professionalism. Also, the fact that the entire movie was shot on low-grade Digital Video is something that will also make it stand out, for better or for worse. Not very many narrative filmmakers do this, and it is more or less unthinkable in today’s movie industry.

9. DO YOU BELIEVE LOW-QUALITY DIGITAL VIDEO TO BE A LEGITIMATE STORYTELLING MEDIUM?
Absolutely, as long as you understand what digital video can and cannot do. It’s an inherently rough, edgy medium, and the quality is nowhere near high-definition. However, as long as the movie-maker understands the limitations, DV can absolutely be used to tell a story, and, with some stories, may be the only medium that should be used.

10. THE NARRATIVE STYLE OF THIS MOVIE IS VERY UNUSUAL, AND IS SOMETHING THAT HASN'T REALLY BEEN SEEN BEFORE. DO YOU THINK PEOPLE WILL BE ABLE TO FOLLOW THE STORY?
It’s difficult to say. We try to respect our audience’s intelligence, but the film is knowingly confusing. It’s not blatantly weird for the sake of weird, but it is rather cyclical and even paradoxical at times. So, my statement on the movie is this: The first time you watch it, it will seem like chaos on film; a mass of unintelligible images and sounds. The second time you watch it, it will still seem that way. On a third viewing, however, it should all click for you, and make perfect sense. At least, it will if you’ve been paying attention. However, unlike other films of this nature, there is an answer to the puzzle. I guarantee you that.

-AY

There you have it, the man, the myth, the Chinaman in all his glory. Interesting tidbit: final (and this time we really mean FINAL, no if's, and's or but's) cut is happening RIGHT NOW. History is being made in a hotel in Massachusetts as you sit and stare at your computer screen. How does that make you feel?

Friday, September 14, 2007

New improved Bleach- now with 500% more sound!

Okay, I just got a sampling of the musical score for Bleach. While I don't want to spoil what is bound to be an orgasmic auditory experience, I will say this: it's both oboe-licioius and xylo-tastic. Any man who uses these sounds when writing a soundtrack is fine by me.

At this moment, the more astute among you are losing your heads over the information I've just provided. "WHAT?" you undoubtedly utter, unable to comprehend. "I never saw a thing about music in the cast list! Not a mention in the cast-bashing frenzy 6 posts below! Who is this mysterious fellow who has prepared a tasty treat for my ears, hmm? I simply must know!" You then proceed to tear out your own hair by the fistful in your anxiety.

Calm down, ya freaks. Seriously. There's a story here.

So when we put Bleach together, we realized that we could handle most of the major technical stuff (shit) mostly through our own power. Alex is experienced behind a camera, and knows his way around editing software, while Ian has worked sound, lights, etc. before. I was able to whip up a website, with help from Pedro's graphic editing.

The only thing we didn't have was someone to make us some sweet, sweet Bleachy music. Among our friends and, indeed, all our acquaintances, not one can play a decent instrument*, let alone write and record an entire musical score.

Alex basically decided that if we were going to have some decent music without paying record companies an exorbitant amount that we didn't, you know, have, he would try for music from independent songwriters, who tend to be a little less exorbitant in their askings. Music was a major part of our budget, and it was going to be tough to make the numbers balance, but it didn't seem like there was another way.

And thus our hero quested for many days, braving the terrors of the internet and all the awful bands that are out there trying to whore themselves out. He searched for days, finding nary a decent singer, and was on the verge of despair when...

Alex came across a guy named Chris Caulder. He listened to some music, decided he liked (or, for all you young hipsters out there, "dug") the sound, and sent an email:

ALEX: Hey, I liked this one song of yours. Can I use it in my indie film? How much are you asking for the rights?

Not long after, he received a reply. The Reply of Ages.

CHRIS(not me): Sure, I love indie film, no charge. And actually, I'd like to score the whole thing for you, also at no charge.

So I cannot stress enough the following things:
1) How good the music is
2) How generous this offer is
3) How badly you need to check out Chris's websites. They are as follows:

www.themixtape.net
www.beautysconfusion.net
www.oustedproductions.net

Give the man your patronage, and remember when you finally watch the film who made it possible: the pleasant noises entering your ears, and the lack of red numbers in our budget.

ALSO: if you have any questions or comments about the film, leave a comment on this here blog, or a message on our Myspace.

*Note the modifier here. In the group, we had 1 trumpeter, 1 sax, and a trombone. So...if worse came to worse, we could create a movie with a Big Band soundtrack! Wouldn't that be GREAT?

Wednesday, September 12, 2007

Storytime!

It's been, what, 4 days since I've written about Bleach? The main reason being...there's nothing happening with it. Nothing big enough, at least, to require informing a) you guys and b) me. I guess Alex is heading back to Connecticut yet again this weekend (he's yet to actually have a college weekend) to finish up "stuff" (that's technical-speak for "shit").

It's extremely aggravating that at the moment I make a blog about this film, stuff (remember: shit) stops happening. If I'd made this, say, in July, or even the beginning of August, I could have regaled you with myriad fantastic and exotic stories about our wacky adolescent antics. Instead, you get fire drills and gummy worms.

Join me, then, on a journey. A passage through space and time, to a "when" that was considerably more interesting and a "where" that was considerably more ghetto-fabulous. I refer to our city of Waterbury, CT, and it was the end of June, just before our movie's first sex-change rewrite. I believe it was a Thursday.

The cast: Alex, Aneta, Nick, Ian, myself. Setting: cruisin' the streets of Waterbury in the Noble Green Beast (note to self: write post about car on a later date). Our intent: finding the ideal location in which to film the rape of Aneta's character. The first location we decide to examine: under the overpass by the high school.

On the way there, a conversation along these lines occurred.
ANETA: Let's go visit Marissa. Doesn't she live by the high school?
ME: Well, yeah...
ANETA: Then let's go.
IAN: But...
ALEX: Underpass...
ANETA: NOW, dammit!

And away we were.

(Important background information: Marissa is an ex-girlfriend of mine; forget "an", she is the ex-girlfriend of mine. We dated for nearly two years throughout high school, breaking up right at the end of senior year on relatively good terms. I will refrain from saying anything disparaging about her to total strangers, but suffice it to say that Aneta and Alex are both not big fans.)

We arrived at Marissa's house only to find that she was at work. Prepared to admit defeat, I moved to pull away from the curb, but was met with cries of protest from both director and writer.

ME: What?
THEM (humorously paraphrased): It's...beautiful...

And thus it was discovered that the ideal place to film a rape scene is Marissa's back yard, in front of her garden shed.

Before I realized just how serious they were, Alex and Aneta were out of my car and trespassing on Marissa's property, fully immersed in a conversation about just how to shoot this particular scene and keep Alex out of jail.

The problem is, the house wasn't empty. Marissa's mother had had an aneurism some 5 months earlier, and had just recently returned home full-time from the long-term care facility. I know this because her family and mine have a long, entwined history (note: explain this later too, maybe along with the car), and thus anything that we did that was seen by said resident (e.g. trespassing, illegal filming, raping a teen girl) had a direct route back to los parents. I also knew that it was impossible to get Alex and Aneta to turn down this perfect set that Providence had provided them (the hell do they care if I'm found dead in my bedroom after a particularly nasty bit of domestic violence?). What to do?

I had the car, so the remaining passengers and I took off.

ME: There. Let's see what they do now. Morons.
IAN: Yeah...what do we do now?

Naught but a minute later we were back, negotiating a compromise.

NICK: Now about we just go check out the overpass?
ANETA: How about we go to Cheshire and pick up some prostitutes?

And away we were.

And thus it was that we found ourselves on our way to Cheshire, the Connecticut equivalent of Mayberry (except much richer, and with a few more murderer/rapist/arsonists), looking for hookers we knew didn't exist, in broad daylight. It also helps that I had the most knowledge of our group about the geography of Cheshire, and even that is sketchy at best.

NICK: Why don't we stop for lunch?
ALEX: Know any good places, Chris?
ME: Let's just wander around downtown and see what we find.

IAN: This definitely isn't downtown.
ME: Wait a sec, Meriden? How long ago did we leave Cheshire?
ALEX: OH GODDAMMIT!

We eventually found a place to eat, a horribly obnoxiously painted pizza parlor (the entire exterior was a vibrantly striped red, white and green) with no other customers, a single waiter wandering around, and absolutely no light besides that which could find its way around all the drawn shades. The food, however, was excellent, and pretty affordable. Too bad none of us remember the name of the place, or have any idea where it actually is.

So after a full day of "location scouting", we decided to return to Waterbury and film the scene in my backyard.

All kinds of crazy stuff (shit!) like this happens while we're filming, and I wasn't even there for half of it. Maybe it's karma, which has it out for Alex for being an overall jackass. Maybe it's just the high concentration of crazy-people-per-square-inch ratio we maintain. It just never seemed to stop.

This is why you should be as excited for Drinking The Bleach: a Guide to Household Suicide* as I am: It's all about the anecdotes, baby.

More stories to come. Maybe I'll get a guest writer to tell about some of the better times I wasn't around for. Cheers.

*Once again, not the title of our book. Until you tell me, Alex, I'm gonna keep making up new ones.

EDIT: If you're liking the blog, if you hate it, if you just want specific Bleach info, feel free to post comments and ask questions. I'm itching to know whether we actually have readers or not.

Monday, September 10, 2007

Minor Bleach Update

Okay, I was hoping for a fairly large Bleach update (Why? Because I'm a masochist, and I enjoy doing hours of tedious coding. You're not getting a better answer than that), but Alex didn't have much content this time around. Apparently things have been busy, which is understandable, I guess. Maybe I'm the only one bored out of his mind at college so far.

(Question: why do rock bands feel they have to include, in each album, a slow song? It's not like the people who go out and buy their albums actually want music like that. Grar.)

So the update is small, but still significant: we added an interview subsection to the Media area, and added a great essay by Nick Mastracchio about the nature of the "production bitch". Read it here. I think the plan is to add more such interviews as time goes on and Bleach: The Book* starts to come together. More to look forward to.

Speaking of looking forward to, I was IM'd yesterday by a fan living in Indiana by the name of Kyle, who is apparently intensely excited for Bleach. I have my screenname up on the blog for just that reason: if you have questions about the film that you don't want answered, I'd be happy to not know the answers for you. You can still IM me, in the event you want to meet someone who will never, ever be famous. It's encouraging to know we have fans devoted enough to actually make contact. (Note: if you actually have a question about the movie that you want answered, there's a Contact Us feature on the site that actually works. Feel free to use it, or leave a message on myspace, or anything at all.)

(SERIOUSLY, Rise Against, Breaking Benjamin and Skillet, my top favorites, are pretty hard rock bands, but they all have really slow, rather sappy songs that completely clash with the rest of their music. Rise Against is known for its songs about riots and bar fights, while Skillet's music generally has a lot of energy. Breaking Benjamin, who generally like to roar in most of their music, should never make a song called "Stay in Love Forever". I'm all for diversity, but...wait, no I'm not. Stick to what you know.)

In unrelated news, I hate Mondays, because I have class from 10 until 4. It truly sucks. On the upside, I've found that Engineering II, the building they never bothered to actually name, is a great place to hang out in those useless 1-hour breaks, especially when it takes you 20 minutes to get to your dorm from the science complex.

Halo 3 comes out in less than a week, and I find myself 360-less. Looks like it's time to make friends with that annoying kid on the 5th floor, who seems like he would be cool if he weren't too smart for his own good. He started talking about Alien today, and I felt a connection...until he compared it to a heterotopia, and the theories of literary critic Cesare Casarino. Don't you just hate that?

*Not the actual name. At least, it'd better not be. I'm rooting for Go On, Drink It, I Dare You.**

**Not really.

Saturday, September 8, 2007

The Cast of Bleach

I wanted to devote this post to Aneta and Alex, the co-directors, co-writers, and co-whatever-else-have-you (co-parent? co-chief-resident? co-conut?), but the other cast members tend to get offended if we leave them out of anything, so here it comes: EVERYBODY, EVERYTHING. I no longer live in Waterbury, so if any of you want to kill me you'll have to go through the trouble of driving all the way out to Storrs. Totally not worth it.


Working off the cast list, which is posted here.

Joe Pisani is a thug. There's a reason all of Alex's movies up to (and including) Bleach have featured the mafia, and that reason is Joe Pisani. I first met Joe when he was a freshman, I was a sophomore; he was three times my size, and I was terrified of him despite his assurances that he would never harm a priest (Priest class ability: 100% resistance to all mafia-type attacks). Three years later, I can see that he's a big teddy bear, one that constantly smells like tobacco and wears a relativistic amount of gold chains (equivalent to .65 Mr. T's). Still, he does fantastic impressions, is the best improvisationist I've ever seen, and is overall a great person to have at parties, if not at, say, a poetry recitation. Joe's the other half of my co-producership, due to his contributions to the (what else?) mafia-related part of Bleach.

Annie Capobianco kind of sticks out among the cast because she is, essentially, a normal person. You see her and you don't think "yikes" or "what a nerd" or "what a pretentious bastard", you think "this is, undoubtedly, a teenage female. yup. no doubt about it" (note: this not the case if she is asleep on the hood of your car). Annie's into theater, having acted in every school play ever, which would be why she was drafted into Bleach. She tends to have a love-hate relationship with just about everyone I know, including me, which is a real trick. She was also a real sport about what we made her do for the movie, as far as actually doing it. Letting us use said footage is a different story. There might be something up with her, something dark and terrifying right beneath the surface, but far be it from me to worry about it until it surfaces.


Nick Mastracchio has a very nice dad who does not mind giving complete strangers pairs of his own pants. I'm wearing them right now. Nick used to be an enormous fan of Chile's, but we ate there so much during production that I think we snapped him out of it. He got into acting in Alex's last movie (which will never ever be coming out), and carried it into the school plays, where we discovered his perfect career: voice-over guy. Anything he reads (a script, a road sign, love letters, etc) becomes the sonorous version of hot sex. Yes, that is a perfectly normal and heterosexual way to describe another guy's voice. Nick can be a little whiny (sorry, gotta say something bad about everyone. It's The Rule), and moody, and obsessive, and he is far too good at Guitar Hero.

Shane Ferraro goes to Uconn with me. I have seen him twice since we've been here. I sat next to his roommate in chemistry. Shane is very tall. He likes Bruce Campbell, which is very cool. I dunno if you can tell, but we don't interact much.

Mike Diana is shaped like a pear. He is asexual, as well as ageless: 4 years ago, when I was a freshman and he was a sophomore, he looked like he was 40. Now, at age 19, he still looks like he is 40. My guess is that in 300 years he will still look like he is 40. He is every bit as Italian as Joe Pisani, and just as mafia-rific. No one knows what his distinctive accent is, himself included, but it is decidedly unreplicatable. His chief goal in life is to get me drunk, and he is a heavy cigar smoker. Nowhere else on Earth is there another Mike D, with good reason, and it's impossible to fully express his essence in written word. It can, however, be expressed in song, so keep a look out for the Mike D tribute album.

Mark Urbanski is someone I would never have wanted to talk to, had we not met while wearing the same doofy boy scout uniform. He's a, uh, 'straight-up gangsta from da hood', and his role in Bleach is basically how he really acts. He claims to be a miraculous skateboarder, but I've yet to see anything that someone with basic motor skills (not me) could not perform with ease. He starred in Alex's movie Shoes, the film that got him into a fancy art school that he doesn't go to anyway. Oh well. I saw Mark the other day in Gamestop, while I was in full geek mode and he was at his ghetto-est. We really broke a couple laws of nature when we became friends in scouts. However, I really like his car.

Emily Roy is a very nice girl that used to bum rides off me all the time last year at school. She's exceedingly tall, frighteningly so, but given (even more than Nick*) to spontaneous and violent mood swings. It'd be against the rules to have anyone normal on our cast. Low self-esteem? Overall insecurities? Something like that maybe, I don't know. Oh, Emily did a very nice job acting; she had to do a lot of improv and did it exceedingly well. She also named Jim, for which we must all be grateful.

*I've been informed that this is not true. Nick wins the mood swing contest, forever.

Jon Caporaso: I know absolutely nothing about this person.

Pedro Ondrush works a lot, so he was never filming on the same days I was around. Still, he's a cool guy, as far as I can tell; we were in the same classes for 4 years and all. He's like Annie in that with basically everyone he knows, it's a love-hate relationship. People tend to get pissed at him a lot, I'm not quite sure why. Despite the whole working thing, he's a supremely lazy ass when it comes to doing school work, but he's good at connecting with the teachers, which always helps. He did the graphic designing for the website, and while we were working on it at his house he gave me a rather tasty cheeseburger. I think that about sums it up.

Chuck Thompson and I were best friends when we were about 4. Now I'm closer to his younger brother, which is maybe a little weird. Chuck is the quintessential (yeah, I said it) underachiever: just barely graduated, huge partier, kicked out of college, lives with his parents and does a lot of drugs. Excellent. Of course, as people like that tend to be, he's also probably the single funniest person I've ever met. Unfair? Most definitely. What's even more unfair is that I know if I went that route, I'd wind up stuck as the creepy drug addict, who is no fun at all.

Joe Carusello once walked up to my mother and told her that she had a lovely son. He named our calculus teacher "Pucci". Evidence abounds that Joe is gay (Mike D tells us so), but there's something about him that suggests he is, in fact, a heterosexual (it's probably the guitar obsession. Note that Liberace and Elton John both went for the keyboard). He does have a predisposition to "gaily flitting about", but it is precisely this quality that made Joe the only logical choice to play Emily Dickinson in Bleach. We're all taking bets to see how long he lasts in college.

Paige Carusello is not in this movie, and we like it that way.

Leanora Megura isn't really part of the usual movie bunch, but she's a close friend of Aneta's, so we worked her in somehow. Bonus points if you can actually pick her out in the movie. She's definitely an odd one: I was quite honestly scared of her for the longest time (and to be completely honest, still am, a bit), which may have something to do with her multiple piercings and disastrously aggressive attitude. Just a guess. She has some kind of unhealthy obsession with my dog, not quite sure what that's about. Her favorite pastimes include drinking heavily and then calling my cell phone. Knock it off.

Jim is too good for my words.

Ian is a close friend of my brother Jon, and his role in the production of Bleach was chiefly technical. He did the sound for most of the movie, and he joined me in the crucial job of "showing up all the time". He worked hard to earn his title of "production bitch" (note: are he and Nick co-bitches? Or does Nick claim the title absolutely? We should hold a bitch-off.); you have to put up with a lot of shit before you get it in writing. He's a bit of a gun nut, which is understandable with his secret agent father, but becomes worrisome when you consider what an angry kid he is. I mean, his rage meter* is almost always shoulder height or higher, and that's just not safe.

*Located on your HUD, next to your HP. Foot-level is reminiscent of a sleeping kitten, while head-level transforms the player into a mindless berserker.

Aneta Klusak is in a whole new league of bizarreness (bizarritude. bizarritivity. bizarrisence). She's gradually evolved from your average goth into something simultaneously less demonstrative and more frightening (and animal-friendly), and we're still not sure what that is. All we (who the hell is we, anyway?) know is that she's made Bleach into the supremely screwed up (seriously) thing it is now. Think about it: this movie was originally your average crappy mafia action movie, and she went and added all kinds of freaky shit in there. Not normal, man.

But it's probably all the abnormality that gives her the certain something that lots of guys, apparently, want (either that or it's some pheromone she exudes). The vast majority of the males in the cast (all but 2, in fact) fell for her at some point or another. Yes, I was included, I'm not going to lie. Whatever her power is over men, it's not normal. It's not...human.

I should probably mention that she is the writer, and co-(or maybe sub-?) director with Alex, for Bleach, in addition to being the lead actress.

I'm not even going to bother with the psychological aspect here. Seriously. Not worth it.

Alex Yan and I have a really weird history that I honestly can't even remember most of. We were inseparable for most of middle school and the first year of high school, then I flipped out for reasons unknown (well, the only ones I remember are so completely lame I'm going to just assume that I'm not pathetic and there were better ones hiding in there, somewhere) and we didn't talk (seriously) up until the last week of school. Basically, this summer, we just picked up where we left off.

Alex appears to be really pretentious, but I don't think he actually takes himself all that seriously. A lot of the time he just doesn't care, about anything, (must be all the transcending, what's that about) which oddly enough sometimes makes him come off as haughty. On a probably unrelated note, he's one of those people that parents tend to hate. He once exclaimed "what the fuck" upon hearing a knock on his door that turned out to be my father. He managed to get himself more or less banned from my house, which is extremely impressive.

He tends to get away with some pretty outrageous shit, but one of these days charm and luck might not cut it.

Alex directed, edited, and actually shot the movie (John Wilkes Booth-style), and he's heading the post-production efforts, since he's the only one among us with any real idea of what we're doing in relation to the real world. Oh yeah, and he's a magician. Like...seriously.

OMG Blog

Hi. I'm Chris. I made a movie! Isn't that great?!

Ok, I produced a movie. Co-produced. The actual creators are two high school friends of mine, Alex Yan (now a film student) and Aneta Klusak (now at Dartmouth as a who-knows-what major). The pair of them wrote and directed this film in the summer of 2007, following our graduation. It was a great summer project, a great way to wrap up the good times we had throughout high school. It's become known as Don't Drink The Bleach.

Somewhere along the line, we got it in our heads that we could do more with this project than just watch it ourselves and lock it in the vault. We had a film fanatic, a well-connected and persistent bitch (much love), and a (newbie) techno-geek at our disposal, so why not aim a little higher (just a little higher!)? Stick up a website, enter some film festivals, see how far we can ride it.

So that's my excuse for making a blog. It's not the reason I'm making it; I'm making it so I can spill my life to perfect strangers over teh interwebs. I just never had a real motivation to do it before now. Bleach needs exposure, and I'm on the verge of losing contact with this project altogether (rather than living within 30 seconds of Alex and 10 minutes of Aneta, we're now each occupying a different state). Rather than fail, due to distance, my job as producer (what the hell does a producer do, anyway? Can anyone tell me? I still don't know.), I can create a blog and talk about the movie while I talk about the rest of my life. Sounds good? Yes.

Objectives:
Blogspot: Introduce Bleach
You gain 100 XP
LEVEL UP

So, me? I'm a freshman physics student at Uconn, in Storrs. I write a lot, but finish very little; I read a lot, and finish most of it. I'm kind of a scifi nut, and I'm sure that'll come up here often. I created and preside over the website www.bleachfilm.com, which has been an experience (long story short: I knew not a shred of html before Bleach. The entirety of the website was created using Notepad. I happen to own Dreamweaver, but I also have a highly overdeveloped sense of adventure.)
I like gaming, and am mourning the loss of my X-Box 360 (which remains in Waterbury, since it's a co-ownership deal with my (slightly) younger brother). In lieu of advanced eletronics, I've taken to retro-gaming on my laptop whom I have affectionately dubbed Lappy 2.0 (lappy 1.0 resides in Waterbury as well, under the new ownership of the aforementioned brother). Reveling in such scifi classics as Starcraft, Fallout and The Thing. Hehe.

That'll do for now, I think...you'll get to know me pretty well as I start posting regularly.

Tonight's homework: check out www.bleachfilm.com